The light rig plays the song: seven gel-colored beams sweep through drifting fog
over darkness. No fixtures, no truss — the sources hang just off the top of the
frame, so the whole picture is light in motion. The other half of the light show,
next to Fillmore Oils.
Twelve seconds, scripted 122 bpm pulse. Beams flash and snap tight on
each kick, lean into their sweeps with the mids, and the fog shimmers when the cymbals ride.
How it listens
Bass punch
Every beam flashes (~2×) and tightens by a quarter — the rig hitting a cue on the kick.
Same onset envelope as the other new modes (padding.x): raw-bass attack,
~280 ms exponential release.
Smoothed bass
Eases the fog's extinction so beams cut visibly deeper on sustained low end.
Mids
Amplify the fast flourish riding on each beam's slow master sweep.
Highs
Shimmer the fog and light the dust motes drifting through the beams.
Three cues
The fan. Gel colors from the Fillmore Oils palette — hot magenta, amber,
blood red, violet, teal — reshuffling on the slow phase.The hit. Same instant with punch at 0.95 — flashed and tightened.Crossfire. Edge fixtures aim inward, so sweeps keep crossing mid-frame in
additive blooms.
Burn-in posture
Every beam sweeps forever at incommensurate rates; the rig, the haze field, and the dust
all drift independently — nothing to park.
No fixture silhouettes: sources live off-screen and wander (drawn hardware is what got the
CRT and tape-deck modes benched).
Vignette + 0.85 peak cap, slow gel-palette phase, plus the shared sub-pixel jitter,
luminance breathing, and 30-minute dim failsafe.